Sunday 31 August 2014

An epic battle


For most of last week, it's been me and the weeds in a battle for the ages. I won't say I won, but right now I'm ahead by a half a yard, if you can trust my judgment (I'm hardly an objective observer).

The weather, thank goodness, was perfect. This week's temps promise oppressive summer heat. I don't know that 90-degree temps will change the outcome, but I can't help but worry. Advantage: weeds.

The landscaping crew convinced us that a brand new lawn would start better if they waited until fall. I was okay with that, but the decision left us with as fine a crop of weeds as you'll find in Siouxland, in Calvinist Siouxland, I might add, where weeds, glorious blossoming weeds, are as much a public sin as an illegitimately rounded female belly. Weeds like ours speak for themselves, and what they say is sloth---yes, Sloth of the Seven Deadlies.

Now the backyard soil is sandy and gravely, a blessing from our neighbor to the north, the river. The front yard is blessed with decent topsoil, so the enemy I'm facing is somewhat varied lot-wise, as has been my military strategy. We sprayed once, took most everything out. Agent Orange'll do that. 

But when our garden started producing mutants, guilt raised its ugly head. To some of my friends, 24d is a curse word--I get that. Drifts can kill you and your neighbor. 

Still, when panicked last week, when it looked as if the cause was lost, I sprayed again, not shock and awe, like the first round, but here and there some surgical strikes. I'm sorry, but it felt and looked as if I was in a strangle hold. I had no choice. I had to up the fire power.



But I prefer conventional arms like this guy, adept at both beheading the enemy and improving your golf swing. However, like its descendant, the gas-powered weed whacker, ye old scythe secures a temporary win since it leaves the roots and therefore multiplies enemy forces in something less than a fortnight. The yard looks almost righteous for a couple of days, but when sin returns it's legion.

Really, the most sure way to fight is hand-to-hand.  Jerk 'em, all of 'em, pull 'em up from the roots one at a time. When the ground is as sandy as ours is, that's not hard but it's really tedious. If, like me, you've already had one back surgery, it also means emptying the Aleve just to get out of the chair into bed at night.

But here's the glory--when I pull 'em, they're gone. 

Look at these two shots:  

BEFORE clean-and-jerk


And after.

Viola! See what I mean? That's why jerking 'em, roots and all, is the nuclear option.  And that's what I did.  Mostly.

Now multiply this square inch of God's creation by a whole acre, and you'll begin to understand the pitched battle I'm in. When I was a boy in the Cold War, wave after wave of Chinese soldiers kept me awake at night because a couple of kids in a pillbox just couldn't keep mowing them down. It's like that. I may have won the battle, but the war is far from over because somehow they just keep coming. 

And this week, heat too yet.

Now all of this is of biblical proportions. Pulling weeds is God's work--well, Adam's anyway. It's all the fault of the fall, right? If we lived in Eden, there'd be button weed, no Aleve in the cupboard. It's that simple, right? Cleaning up weeds is our mutual calling.

But I've got friends--good friends, good Christian friends, good Christian friends who are scientists, in fact--who like to say that without a doubt humankind was deeply affected by Adam and Eve's dalliance with forbidden fruit, but nature wasn't, which is to say that weeds aren't somehow sin. I'm not making this up.

Listen, all week long I picked 'em and I've still got a yard full--all week long by scythe, by whacker, by Roundup. But mostly I pulled 'em, one at a frickin' time; and this mastadon-shaped pile, once yellowed, will soon be deliciously devoured in hellish flames.


So I don't want to know it's not sin I'm fighting here in my own square inch. Don't tell me I'm not subduing the earth. If that's in any way true, I don't want to know. The battle is too big, too epic, too biblical. 

I won't hear it. I won't. It's blasphemy.

Thursday 28 August 2014

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Tuesday 26 August 2014

Sunday Morning Meds--Enduring Inheritance


“. . .and their inheritance will endure forever” Psalm 37

I’m told that one of the all-too-human urges behind a desire to write is a somewhat unconscious wish to create something timeless.  We want to be a Hemingway or a Dickinson, a Milton or a Shakespeare.  We want to speak, long after our voice box has been dusted away from whence it has come.

Maybe.  When as an undergraduate I stumbled on a love of literature I never knew I had, I’ll admit believing that one of the perks of the writing life was the possibility of being included in those fat lit anthologies.  That was before I knew the word “remaindered,” and long before I realized how many of us actually sit here, fingers curled over the keys, shooting for immortality.  

A friend of mine, the book editor of a major American newspaper, gets 100 books a day to review.  There’s lots of competition to get a place in those anthologies.
           
Some time ago, I corresponded with two antiquarian book sellers in Amsterdam, the Netherlands.  Years ago, I stumbled on a moldy cardboard box of old Dutch books in an antique store.  The woman up front told me she’d just as soon get rid of them.  “Five bucks,” she said, shrugging her shoulders.

Inside, I found ancient theological tomes, literally hundreds of years old.  Simply to hold one is a thrill.  But they have no vital relationship to me, even though my own DNA wears wooden shoes on both sides of the family.  My great-grandfather came from Holland to teach theology in the 1870s; I’ve got many of his books too.  Those I wouldn’t sell.

When finally those booksellers got back to me, I was amazed at how little those books were worth. The cost to ship them to Holland would, on its own, devour whatever those old books promised. They’re back on my shelf.

What real value they have derives from their age, not their authors.  The most ancient was published in 1655.  It’s a bit smaller than a paperback, has an abundance of bronze, liver-spotted pages, and is some kind of theological study—De Yverigan, Christen, den Hemel door Heyligh Gevvelt:innemende.  I have only a faint idea of what that means.  I’m not even sure there is an author listed.
           
Most books published today won’t endure like Christen, den Hemel—it’s a matter of physics, I'm told, of the quality of ink and paper.  Okay, I admit it—that’s a bit unsettling.  Somewhere in me I must have this jaded wish to live forever by way of the words now appearing on my screen.  However, read ‘em and weep, because these old books say, “Listen, brother, don’t count on it.”

And then there’s David, whose words are animating every last key stroke I’m making right now, thousands and thousands of years after he sat down with the parchment. But the promise he’s giving us in this verse of Psalm 37 has nothing to do with his poetry or his music, even those softly plaintive tones from the harp, the ones that calmed King’s Saul’s soul.

The enduring inheritance David promises in this line is nothing more or less than eternity, life forever, the gift of God to those the psalm calls “blameless,” recipients of God’s own grace.  We will live forever.

And that, I’ve long been convinced, is mine.  Even if these words slip away from the cloud after a decade or two, even if nothing I ever say lasts any longer than an hour or two after lunch. 

Eternity, by grace, is mine. 


That, no matter what I say or write, is an inheritance that endures.  Forever.            

Monday 25 August 2014

Geometry assignment; March 27

We started a new chapter today, chapter 11.  This chapter deals with calculating the areas of a variety of different polygons.  Today's topic involved calculating the area and perimeter of rectangles.  We went over several sample problems before the students got started on their homework.

Assignment:  section 11-1;  page 426;  #1-22 all

Saturday 23 August 2014

Reviews for Military Style Canvas Backpack Day Pack Casual Rucksack White Grey

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Military Style Canvas Backpack Day Pack Casual Rucksack White Grey


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Large compartment with 3 pockets.
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Friday 22 August 2014

Reviews for BESTOPE Vintage Men Casual Canvas Leather Backpack Rucksack Bookbag Satchel Hiking Bag

BESTOPE Vintage Men Casual Canvas Leather Backpack Rucksack Bookbag Satchel Hiking Bag


BESTOPE Vintage Men Casual Canvas Leather Backpack Rucksack Bookbag Satchel Hiking Bag


Brand : BESTOPE

Sales Rank :

Color : Coffee-2

Amazon.com Price : $29.94




Features BESTOPE Vintage Men Casual Canvas Leather Backpack Rucksack Bookbag Satchel Hiking Bag


Material: canvas
Condition: 100% Brand New
Style:Backpack Ruckasack
Features: Audio Pocket, Laptop Sleeve/Protection, Machine Washable, Reversible
Size: L;30cm(11.81inch),H:38cm(14.56inch),W:18cm(7.09inch)

Descriptions BESTOPE Vintage Men Casual Canvas Leather Backpack Rucksack Bookbag Satchel Hiking Bag


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Thursday 21 August 2014

Sunday Morning Meds--Do not fret


“. . .do not fret when men succeed in their ways, 
when they carry out their wicked schemes.”

Some time ago, the college where I taught celebrated its fiftieth birthday. I was up to my ears in the celebrations, traveled the length and breadth of this continent drumming up whatever enthusiasm I could. It was great fun, but I was glad when it was over.

There would be no college here if its first President had never taken a call to serve a church in this little town where the college sits. His name was Bernard J. Haan, and he was a shaker and mover. He made national news in the late 40s by keeping a movie house out of town. The church he attended made it very clear that movies—like cards and dancing and a few other things—were what people used to call “worldly,” as in, “of this world.”

Right here behind me, I have a picture of B. J. Haan standing in front of the church, holding forth, a young man, full of hellfire. That he loved the camera is clearly illustrated by the fact that he took up such a hellfire and brimstone pose for a Time magazine reporter.

I need to come clean about my heritage. There’s a mean streak in me about movies that likely harks back several generations to grandfather clergymen—two of them—who were convinced that Hollywood was Babylon. I came along years after their opinions lost currency. I’ve seen movies my whole life; for a time, my son pursued graduate studies in film. But that doesn’t mean I don’t have a touch of my grandfathers’ DNA because sometimes I think the entire world would be better off if a bit of that California cahuna earthquake tumbles Hollywood somewhere deep in the Pacific. (Okay, that’s going a little far.)

A bunch of years ago, the summer’s box office biggie was a remake of an idiotic TV show from the 80s—the Dukes of Hazzard. It was stupid when it was on TV, but critics made its new version even more dopey—nothing but car chase silliness and thundering cleavage.

You guessed it. It made millions when it opened. The paper I read gave it ½ of a star, out of a possible five; but it also gave the flik most of a page to say all of that, and finally, as well all know, it’s ink that counts--the buzz. It’s no wonder Islamic extremists hate us.

Film is business, and we buy into it in spades. Every morning thousands of Hollywood honchos check their hearts, souls, and minds, somewhere off set before work. So I wonder if B. J. Haan was wrong about Hollywood—that’s what I’m saying. In American culture today, there aren’t many people more wicked than those who make trash.

There, I’ve vented.

This verse, however, isn’t about my righteousness or Hollywood’s corruption. The command is “do not fret,” so forgive my invective because I’m not listening closely. When the Dukes of Hazzard makes millions, I shouldn’t get in a huff—that’s what David is saying. When the wicked prosper, don’t scream or cry. Nothing but flashes and pans.

And there are great, great movies made all the time—so many I can’t list them. Tons.

Fifty years after B. J. Haan held forth, the theater in town has been operating for years, busy most of the time.

I’m not sure we’re better off, but I’ve been there myself and I don’t fret.

Much.

Wednesday 20 August 2014

Geometry assignment; March 21

We went over homework today and then started the last section of our chapter.  This section deals with the lengths of segments within circles.  We talked about two scenarios today:  segments that intersect inside a circle and segments that intersect outside a circle.  Both involve similar triangles and both involve short cuts to solving the problems.  We went over a few examples together and then the students got a start on their homework for the weekend.


Assignment:  Lengths of Segments worksheet;  do not do # 7 and #13

Sunday 17 August 2014

Algebra 10-12 assignment; April 24

We went over our homework and a few more examples of using factoring to solve quadratics today in class.  The bulk of the class time was then spent working on a review sheet for the test tomorrow.  At the end of period, the students were given the answers to the review sheet so that they could use it to check their work and study for their test tomorrow.

Assignment:  Review Sheet for Factoring Unit

Saturday 16 August 2014

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Geometry assignment; March 6

We went over homework today and then started the next section on arcs and central angles.  We introduced several new terms and symbols today in dealing with arcs in a circle.  We also went through several examples of how to calculate arc values as they pertain to the entire circle.  We used the total amount of 360 degrees a lot in our calculations.


Assignment:  section 9-3;  page 341;  classroom exercises  #1-13 all
page 341-342;  written exercises  #1-11 all


Thursday 14 August 2014

Algebra 10-12 assignment; May 16

After going our homework and entry task, the students took a quiz on solving quadratics and working with the quadratic formula.  The quiz took most of the rest of the period.  After the quiz, the students then got started on their homework.

Assignment:  Solving Quadratics worksheet  #1-10 all

Wednesday 13 August 2014

Here 'tis



Welcome to Highland cemetery, across the river and just up the road from town, where spirits dwell and soar and generally smile. Oh, there are tears--forgiveness being what it is. And there's hurt too--after all, the dead remain privy to a seemingly unending display of typically human shenanigans. And they care.  

But life up the hill is generally bereft of the Seven Deadlies. Just waitin' on the Lord isn't a bad gig altogether.

Come visit. You just might want to stay.

Up the Hill, twelve interconnected short stories narrated by a small-town newspaperman who just can't stop telling stories, even though he is, like everyone else, quite dead, is, as of this morning, on-line, an e-book only.  Here 'tis!

I thought I'd celebrate with a parade of blurbs. Here's what discerning readers say. (Haven't yet heard from the undiscerning! I'm sure they'll be in touch.)

“James Calvin Schaap has done the impossible. In Up the Hill, he has beautifully crafted a collection of stories written from the grave, and these voices are both humorous, powerfully moving, and scary. They capture the very ‘bones’ of what it means to be human—to face one's own transience. With irony and grace, this magical collection captures our attempts for both reconciliation and transcendence.” - Mary Swander, Poet Laureate of Iowa and co-author of Farmscape: The Changing Rural Environment(Ice Cube Press, 2012).

"Up the Hillis a very original and heartwarming collection of tales that invite readers to listen in on the congregation of the dead as they speak from the afterlife. The characters may not exactly be living our idea of heavenly bliss, but you’ll believe the narrator when he says, ‘You get a whole lot smarter when you die.  You’ll see.’  Every page sparkles with wit and is bathed with empathy and forgiveness." - Jim Heynen, author of The Fall of Alice K.: A Novel (Milkweed Editions, 2012), The One-Room Schoolhouse: Stories about the Boys (Vintage, 1994), and The Man Who Kept Cigars in His Cap(Graywolf, 1986).

“A fine mix of characteristic Schaap grit and wholesomeness, frugality and abundance, colloquialism and wisdom.  If you don't read these stories, ‘Honestly, you don't know what you're missing.’” - Diane Glancy, author of Stone Heart: A Novel of Sacajawea (Overland TP, 2004) and Pushing the Bear: After the Trail of Tears (Mariner Books, 1998), and co-author of Flutie (Moyer Bell, 1998), quoting from “The Music of the Spheres,” one of the stories in Up the Hill.

"When people imagine the dead they usually think zombies or angels, mindless corpses or fleshless sprites. In these sharply told folktales, James Calvin Schaap redeems the dead from these clichéd purgatories. In these ghost stories our dearly departed are canny and keen-witted, vivacious and full of life. There is comedy and tragedy here, and a wonderfully accented narrator who has one hell of an eye for what makes Highland Cemetery an interesting heaven-on-earth." - Samuel Thomas Martin, author of This Ramshackle Tabernacle (Breakwater Books Ltd., 2012) and co-author of A Blessed Snarl (Breakwater, 2012).

“Jim Schaap's stories go deep into human experience of communal life in small prairie towns. They are intimate, often funny, and sometimes painful. The only way they'd be better is if you had audio or video of him reading them.” - Virginia Stem Owens, author of And the Trees Clap Their Hands: Faith, Perception, and the New Physics(Wipf & Stock, 2005) and If You Do Love Old Men (Eerdmans, 1990), and co-author of Praying with Beads: Daily Prayers for the Christian Year (Eerdmans, 2007).

 “Do the dead being dead yet speaketh?  They sure do, and beautifully so in James Schaap's very special narrative voice.  These are remarkable stories, unique, wise, painfully honest, and funny as—well, heaven.” - Shirley Nelson, author of Fair, Clean, and Terrible: The Story of Shiloh Maine and The Last Year of the War.

"No-one who knows Jim Schaap or his considerable body of work would ever accuse him of ignoring the modern world at large. Nevertheless, the strength and authenticity of his fiction stems in large part because he has remained immersed his entire life in the ethnic and religious sub-culture that is his family heritage. As Faulkner had his Yoknapatawpha County and William Kennedy his city of Albany, New York as their own personal fictional worlds, James Schaap's fictional world is midwest small-town Dutch Reformed Calvinism. The strength and charm of this has never been more evident than in Up the Hill, his new collection of short stories." Rudy Nelson, co-author of The Risk of Returning (Nelson Family Partnership, 2014).

"It’s tempting to call these stories ‘Our Town in wooden shoes,’ but although the cemetery device is similar, the sensibility is all Schaap’s own—full of insight (bordering on wisdom) into how life and people really are, but even more full of affection, forgiveness, and grace.” - Daniel Taylor, author of Letters to My Children: A Father Passes on His Values (Bog Walk Press, 2010), In Search of Sacred Places: Looking for Wisdom on Celtic Holy Islands (Bog Walk, 2005), Tell Me a Story: The Life-Shaping Power of Our Stories (Bog Walk, 2001), and The Myth of Certainty: The Reflective Christian & the Risk of Commitment(IVP Books, 1999).

"Up the Hill offers 11 short stories of a Midwestern town—from the vantage point of those literally in the cemetery “up the hill.” The stories' engaging narrator is the village's former newspaper editor. In life, he couldn't tell all the truth in the Weekly—but now he can. Sometimes funny, and always touching and wise, this is a book to give to all sorts of people for the hopeful vision it offers of life after death—even particularly to give to seniors or to those facing death. 'We're not all-knowing, if you're wondering, but we're blessed with some pretty cagey powers,' the narrator explains of his post-mortem life 'slouching in eternity.' Like Jan Karon's Mitford stories, Up the Hill is rich in humanity and hope. Barbara Lounsberry, author of Becoming Virginia Woolf and co-editor of The Tales We Tell.

Come visit. It's a whole new world.

Monday 11 August 2014

Geometry assignment; April 23

We introduced the topic of geometric probability today by using the area of various figures to determine the chances of certain events occurring.  We reviewed some basic probability ideas before taking a look at how they apply in geometric problems.  The students then got started on their homework at the end of the period.


Assignment:  Geometric probability worksheet

Remembering Frederick Manfred--1912-1994 (ii)


The Secret Place was the novel that brought Manfred most dishonor among the good folks of Doon, Iowa, not only because of its graphic sexual content, but because local people winced when the story line came so close to mirroring a saga many of them remembered—how a local boy got two girls pregnant in too short a span, both out of wedlock. Local people felt what the subjects of literary work have felt for centuries—used. One of their own, Feik Feikema, had taken a story that belonged to them and spread it all over as if it was the world’s business.

Susan Cheever, in an interview about her famous father, John Cheever, says that being fictionalized, as she was in her father’s work, is “ten million times more painful” than being written about in non-fiction, “much more dangerous because much more painful for the people it may be based on.” I believe her. But, back then, I had no notion of the sensitivities of the Manfred’s neighbors, nor did I have any idea there existed some kind of prototype. I really had no idea how it was writers did what they did.

I read The Secret Place during Thanksgiving break, then returned to Dordt College and told my English instructor that I’d like to do a research paper on it, a novel she’d not read, even though she knew Frederick Manfred, at least by reputation. Not long before, President B.J. Haan had buckled under to a local church group who vowed to stop giving to the fledgling college down the road if Feikema’s books were right there in the stacks of the library, no one supervising. To Haan’s credit, he didn’t toss them, but he did put them behind the desk so students had to ask.

I don’t remember what grade I received on that research paper, but it’s still somewhere in my files I’m sure, because I studied The Secret Place in a way devoted freshman college students are still asked to study literature. I read that novel closely, outlining theme and motif, in a way I’d never read anything before. I read earnestly.

Sometimes I wonder if I wasn’t, even then, trying to save this man I’d never met, if not from the wrath of his villagers, then from the flames of hell others in the neighborhood were stoking. I admired his rebellion, his prophetic character. Somewhere in The Secret Place I wanted to find what people once called “socially redeeming value,” in spite of the racy cornfield passages that made my hormones pulse.

I may have wanted to baptize Feike Feikema, but it’s far more obvious, in retrospect, that with that novel Frederick Manfred baptized me. When I read certain passages—a couple of young fornicators meeting self-righteousness head-on in a smoke-filled consistory room, for instance—I felt a conflict that wasn’t at all new, but as familiar to my perceptions as church peppermints drawn discreetly from a black suit coat.

I date my own birth as a writer to that novel and that freshman English paper. Before reading The Secret Place, I had no idea my life, and the lives of those around me, was worth a story. Fred Manfred made it vividly clear to me—even though I’d never considered it before—that I didn’t have to be Jewish or urbane or sophisticated or snobbish or even particularly “literary” to write stories about real people in real time, in a landscape no more than a day’s hike away.

Fred Manfred made me want to write stories, and that may well be the most significant reason why I wanted to save him. The Secret Place, a novel also published as The Man Who Looked Like the Prince of Wales, may well be totally forgotten to everyone but me, but today that book sits in honor behind ancient glass on the Manfred shelf of our library.

_______________

Tomorrow:  Meeting Fred Manfred.



Saturday 9 August 2014

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Wednesday 6 August 2014

Algebra 10-12 assignment; Feb. 14

We introduced a new topic today:  graphing linear inequalities.  We will be working on this topic for 4-5 days as we connect it to what we have already learned as well as what we need to to next.

Assignment:  graphing linear inequalities worksheet #1

Geometry assignment; April 16

After going over our homework, we introduced the topic of finding areas and perimeters of circles.  We went over the difference between an exact value and an approximate value, as well as showing how circles are used in a variety of word problems and ones involving compound shapes.


Assignment:  section 11-5;  page 448-449;  #1-17 all

Tuesday 5 August 2014

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Friday 1 August 2014

Geometry assignment; 9/3

We went over a few warm up exercises and then went over the homework to begin the period.

Today's topic dealt with using some algebra graphing skills and knowledge of right triangles to determine the distance between two points on a graph.  We derived the distance formula together and then went over a few examples together before the students got started on their homework.


Assignment:  section 13-1;  page 526;  written exercises #1-16 all